Download Ebook The Inferno of Dante: A New Verse Translation, Bilingual Edition (Italian Edition)

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The Inferno of Dante: A New Verse Translation, Bilingual Edition (Italian Edition)

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Amazon.com Review

The one quality that all classic works of literature share is their timelessness. Shakespeare still plays in Peoria 400 years after his death because the stories he dramatized resonate in modern readers' hearts and minds; methods of warfare have changed quite a bit since the Trojan War described by Homer in his Iliad, but the passions and conflicts that shaped such warriors as Achilles, Agamemnon, Patroclus, and Odysseus still find their counterparts today on battlefields from Bosnia to Afghanistan. Likewise, a little travel guide to hell written by the Florentine poet Dante Alighieri in the 13th century remains in print at the end of the 20th century, and it continues to speak to new generations of readers. There have been countless translations of the Inferno, but this one by poet Robert Pinsky is both eloquent and tailored to our times. Yes, this is an epic poem, but don't let that put you off. An excellent introduction provides context for the work, while detailed notes on each canto are a virtual who's who of 13th-century Italian politics, culture, and literature. Best of all, Pinsky's brilliant translation communicates the horror, despair, and terror of hell with such immediacy, you can almost smell the sulfur and feel the heat from the rain of fire as Dante--led by his faithful guide Virgil--descends lower and lower into the pit. Dante's journey through Satan's kingdom must rate as one of the great fictional travel tales of all time, and Pinsky does it great justice.

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Review

“Splendid . . . Pinsky's verse translation is fast-paced, idiomatic, and accurate. It moves with the concentrated gait of a lyric poem . . . It maintains the original's episodic and narrative velocity while mirroring its formal shape and character . . . Pinsky succeeds in creating a supple American equivalent for Dante's vernacular music where many others have failed.” ―Edward Hirsch, The New Yorker“Pinsky's rare gifts as a poet, a wild imagination disciplined by an informed commitment to technical mastery, are superbly well suited to the Inferno's immense demands. Pinsky has managed to capture the poem's intense individuality, passion, and visionary imagery. This translation is wonderfully alert to Dante's strange blend of fierceness and sympathy, clear-eyed lucidity and heart-stopping wonder. It is now the premier modern text for readers to experience Dante's power.” ―Stephen Greenblatt“A new translation of Dante's classic poem uses slant rhyme and near rhyme to preserve the original terza rima form without distorting the English meaning, providing a lively and faithful rendition of the poem. ” ―Ingram

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Product details

Paperback: 384 pages

Publisher: Farrar, Straus and Giroux; Bilingual edition edition (March 30, 1996)

Language: Italian

ISBN-10: 9780374524524

ISBN-13: 978-0374524524

ASIN: 0374524521

Product Dimensions:

5.5 x 1 x 7.9 inches

Shipping Weight: 14.9 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

2,344 customer reviews

Amazon Best Sellers Rank:

#83,285 in Books (See Top 100 in Books)

I highly recommend this translation of Dante's Inferno. For many years, Ciardi's translation has been the standard and it has much to recommend it. But Ciardi's rhymed stanzas are looser, wordier, and less faithful to the original than Thornton's blank verse. Thornton brings us closer to what Dante wrote. And the excellent notes at the end of each canto help bring this masterpiece to life for a modern reader.

With decades of study and meticulous craftsmanship, Dr. Peter Thornton has offered his translation of “The Inferno.” I do not know Italian, but I have read a couple of other translations of “The Inferno,” and I found this one the best for several reasons. First, the poetry is vivid. I felt like orange flames and the stench of Sulphur were my companions as much as were Dante and Virgil.The verse itself is a second reason I liked this translation. The meter – iambic pentameter, the ordinary meter of the English language – does not intrude into the poetry itself. That is, I wasn’t conscious of stretching of words or awkward diction for the sake of the meter.You can enjoy the translation without bothering to read the footnotes, but once you start, you are off on another journey, equally absorbing – this one through contemporary (to Dante) Florentine history, Christian metaphors and allusions, Roman legend and mythology, and Catholic scholars from Augustine on.Read the translation; savor the footnotes. There’s always room for a fresh version of hell.

THANK YOU !! I've been trying to expose my kids to more of the classics. But every translation of the Divine Comedy I've come across has been so difficult that I couldn't even get through Hell (felt like hell trying to read it). UNTIL NOW !!! Thank you Mr. Douglas Neff for this translation. It keeps all the flavor, tension, and character; and stays true to the original story. Reading this translation, I find myself more absorbed and engaged in trying to understand what Dante was trying to get across, and why he picked certain persons for certain levels, and doing research into some of the people, places, vices, etc. that he talks about, instead of spending hours trying to decipher the actual language of the translation. My 7 year old is totally engaged, while at the same time, my 15 year old and I are getting into some very interesting discussions (Dante put Pope Celestine V with those souls who neither heaven nor hell want, because he resigned as Pope . . . I wonder what that means for old former pope Benedict XVI / cardinal Ratzinger who just did the same thing). And none of us are getting ground down by having to stop and try and translate the language.I cannot encourage you strongly enough to get this book. You will not be disappointed. I'm now trying to find a comparable translation of Purgatory and Paradise so we can complete the story.

Dante's THE INFERNO is a classic. Written around 1321, the book predates most of the classics, except Homer's works of course. But even before Shakespeare, this book heralded in an uncommonly twisted and almost perverse story of Dante's descent into Hell and his description of everything he sees and those he meets. It's eloquently written. Not necessarily an easy read but it does tribute to the language and reminds the reader that our vernacular has so much more color than the reductio ad absurdum we see being used today. Dante's descriptions of the nightmare that sinners endure at each level is pretty graphic, sometimes bordering on horrifying, and who knows, he might even be credited with the first narrative on the subject of flesh-eating zombies which are so popular today. The narrative also gives the reader a feel for certain historical relevancies of that and earlier times and how Dante saw the world. This particular version of the book, by John Ciardi, provides excellent descriptive notes after each section, clarifying things mentioned in the story so the reader stays on track. Lastly, I could not help but wonder if the Vatican of that time didn't encourage the book to be written simply because of its thematic message of what happens to sinners, particularly those who sin against God and the Church or become apostates. It certainly provides compelling imagery to anyone who believes in Heaven and Hell. Add it to your reading arsenal - it's worth the read.

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The Inferno of Dante: A New Verse Translation, Bilingual Edition (Italian Edition) PDF

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Download Ebook Jordan 1:610,000 & Syria 1:740,000 Travel map (International Travel Maps)

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Product details

Series: International Travel Maps

Map: 2 pages

Publisher: ITMB Publishing, Ltd.; 3 edition (December 20, 2010)

Language: English

ISBN-10: 9781553412748

ISBN-13: 978-1553412748

ASIN: 1553412745

Product Dimensions:

9.5 x 4.2 x 0.6 inches

Shipping Weight: 2.1 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#486,915 in Books (See Top 100 in Books)

Excellent map - use it often for my research into ISIS and their spread across the region covered in this map.

Excellent map of Syria and Jordan! It’s been useful on my trips there and at home - to show family and friends where I went.

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Get Free Ebook Otolaryngology-Head and Neck Surgery: Clinical Reference Guide, Fifth Edition

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Review

REVIEW OF THE PREVIOUS EDITION: "The text is a worthwhile reference for those in the beginning stages of their career, such as medical students rotating on-service seeing otolaryngology patients and procedures for the first time. Allied health professionals serving otolaryngology patients may use it as a quick reference during clinics. It is especially useful to trained otolaryngologists seeking to rapidly review an organized handheld resource for board examination review. . . .Overall, this is a very nice reference. I would recommend this as a part of every training otolaryngologistÂ’s library, designating it as especially useful for a comprehensive yet succinct board review." --Kristen Hurst, University of Iowa, Annals of Otology, Rhinology, & Laryngology (2015)REVIEW OF THE PREVIOUS EDITION: "I have rarely learnt so much, in seconds of thumbing through a textbook, as I did reading about central sleep apnoea...[It] is ideal for fast access reference and revision on the flight to the exit exams! In practice I have opened this many times, picking subjects at random and found the writing style reader friendly throughout." --Liam M. Flood, FRCS, FRCSI, James Cook University Hospital, Journal of Laryngology & Otology (2013)

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About the Author

Raza Pasha, MD is a Board Certified Ear, Nose, and Throat-Head and Neck Surgeon with extensive training and research experience. He is a sole author of a highly rated comprehensive review book on his specialty. To receive certification from the American Board of Otolaryngology, Dr. Pasha completed an undergraduate degree, four years of medical school, and five years of specialty training. Dr. Pasha has been published in many medical journals and completed research in many institutions, including The Cleveland Clinic, Texas Medical Center, Detroit Medical Center, and Ohio State University. His has also published a review book on Ear, Nose, and Throat-Head and Neck Surgery. Dr. Pasha is a strong advocate for patient education. He believes that maximal therapeutic benefit occurs when patients understand their diagnoses and therapy.Justin S. Golub, MD, is an assistant professor of otology/neurotology/skull base surgery in the Department of Otolaryngology-Head and Neck Surgery at Columbia University. He completed a fellowship in neurotology at the University of Cincinnati and a residency in otolaryngology-head and neck surgery at the University of Washington. He obtained his medical degree from Emory University School of Medicine. During his training, he has completed research fellowships at the University of Washington and the Georgia Institute of Technology. He is the author of more than thirty peer-reviewed publications in otolaryngology and has coedited three books. Dr. Golub's professional interests include regenerative medicine, otologic bioprostheses, and medical education.

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Product details

Paperback: 762 pages

Publisher: Plural Publishing; 1 edition (August 16, 2017)

Language: English

ISBN-10: 1944883398

ISBN-13: 978-1944883393

Product Dimensions:

4.5 x 1.2 x 8 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#71,318 in Books (See Top 100 in Books)

A very through and up to date synopsis of ENT. Good clinical descriptions and good treatment plans

I haven’t finished it yet , but so far am happy 😃

Concise compact thorough and current

Good but expensive

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Free Download Licensing Art and Design: A Professional's Guide to Licensing and Royalty Agreements

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Review

A handy little reference work for a burgeoning, relatively new business: the creation of licenced products -- Photo District NewsFor those looking to negotiate their way around the $66 billion dollar merchandising market, Licensing Art & Design is a definitive map. It points out the pitfalls and offers sound advice to achieve success. It's one of the best-selling titles on the Graphic Artists Guild Bookshelf -- Paul Basista, Executive Director, Graphic Artists GuildLeland, an attorney experienced in representing graphic artists, provides plentiful information on how designers, illustrators, and fine artists can increase their income by licensing their creative work -- Publish

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From the Back Cover

Would you like to learn how to profit by licensing your images on apparel, graphics and stationery, household accessories, computer games, CD-ROMs, and countless other products? You hold the key right in your hands. This book teaches you how to succeed in the world of commercial licensing and shows you how you can transform your ideas and images into profitable ventures. Inside you will find a detailed explanation of copyright, trademark, and patent laws so you can protect your work; complete explanations of various licensing agreements; strategies for negotiating licensing agreements to help you maximize royalties; a negotiation checklist to help you evaluate the deals you are offered; and model Agreements covering short and long form licenses, agent representatives, multimedia deals, and confidentiality and nondisclosure issues.

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Product details

Paperback: 128 pages

Publisher: Allworth; Revised edition (May 1, 1995)

Language: English

ISBN-10: 1880559277

ISBN-13: 978-1880559277

Product Dimensions:

6 x 6 x 9 inches

Shipping Weight: 12.6 ounces

Average Customer Review:

3.8 out of 5 stars

17 customer reviews

Amazon Best Sellers Rank:

#384,492 in Books (See Top 100 in Books)

It gives you a general idea about licensing, especially if this is your first book. Unfortunately, I had already read Maria Brophy's "Art, Money, Success" book and she had already covered all that so I felt like I was reading something old.

I feel the book is worth the money spent on it.

I am an art licensing agent, and I use this book, along with a few other references, on a regular basis. It could probably be updated, like a previous reviewer stated, but it is still very helpful when determining royalty rates. It is good for an artist just starting to license, as it's easy to follow and is a great introduction into licensing art.

It's all there in a nutshell.

Love it. Very informative and helpful.

My wife is happy with the book and it is giving her the information that she was looking for.

I did a lot of reviewing of licensing art before choosing this one and I'm glad I did. We did not have to wait long for it to arrive and it has been very helpful and easy to understand.

Despite a boom in licensing and totally new markets exploding for licensed artwork and design (especially with opportunities for American and European artists, designers and industrial designers now working directly with Chinese manufacturers), this old tome is unfortunately still one of the better books available for the creative/businessperson. This subject desperately needs revising and updating... hello? Caryn R. Leland? We need you!

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Licensing Art and Design: A Professional's Guide to Licensing and Royalty Agreements PDF

Licensing Art and Design: A Professional's Guide to Licensing and Royalty Agreements PDF

Licensing Art and Design: A Professional's Guide to Licensing and Royalty Agreements PDF

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Ebook Free Don't Be Afraid of the Bullets: An Accidental War Correspondent in Yemen, by Laura Kasinof

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Review

"To read . . . Don't Be Afraid of the Bullets is to understand how Yemen rose up, nearly fell apart, and tried to put itself back together in 2011. It's a necessary primer on the chaos that has beset the country yet again." —Washington Monthly"Kasinof’s book is an engaging read throughout and a moving tribute to the foreign journalists who risked their lives to report on the uprising, as well as the steadfastness of the Yemeni people who so bravely took to the streets demanding a better life." —Washington Report on Middle East Affairs"[Laura Kasinof] provides vivid details of those years, bringing readers into the heat of the conflicts, into the mosques-turned-hospitals filled with the wounded and dying, and into the sitting rooms where she interviewed some of the most important men in Yemen . . . A moving portrait of life as a war correspondent. An action-packed account of the civil war in Yemen from a woman who experienced it firsthand."—Kirkus Review"[Kasinof] pulls the reader into her heady, complicated mix of emotions. . . . Her passion for the country still makes for a compelling tale." —Publishers Weekly"Well written . . . essential reading for anyone wanting to understand the details of events during this historic year in Yemeni politics." —British-Yemeni Society Journal"This is a beautifully written, highly personal account of a young journalist's experience with revolution and war in Yemen. Kasinof offers a revealing portrait of the lives and work of a rising generation of young journalists at a time of urgent and perplexing changes. She weaves together their stories with a compelling account of Yemen's ambiguous revolution as witnessed by one of the few Western journalists on the ground. It is a gripping, thought-provoking read about how the news is really produced in today's turbulent Middle East."—Marc Lynch, professor and director of the Institute for Middle East Studies, George Washington University"A fast-paced journey through the Yemeni uprising that began in 2011, by someone who witnessed much of it first hand. Kasinof offers a welcome corrective to the pervasive view of Yemen as an incubator of terrorism and little else, showing the humility, humor, and grace of ordinary Yemenis as they attempt to navigate fiendishly challenging circumstances.—Sarah Phillips, the University of Sydney, author of Yemen’s Democracy Experiment and Yemen and the Politics of Permanent Crisis"As I was anxiously watching the political situation in Yemen unravel and become more dangerous in the years leading up to its Arab Spring, there was one reporter whom I read with interest and confidence, and that was Laura Kasinof. She clearly knew Arabic well, was familiar with the local scene, and talked to more than the 'usual suspects' when she wrote up her columns. To produce that kind of nuanced reporting required a person of tenacity and ingenuity, a true force of personality. This memoir provides us with a fascinating glimpse into both those turbulent years and the kind of fearless reporting it took to render them intelligible."—Steven C. Caton, Khalid bin Abdullah bin Abdulrahman Al Saud Professor Of Contemporary Arab Studies, Harvard University“Laura Kasinof has written one of the most fascinating books about Yemen. It paints an excellent portrait of the country’s politics and society. Just as it was essential to read Kasinof's reporting in 2011 to keep up with Yemen’s revolutionary news, it is essential to read Don’t Be Afraid of the Bullets to understand and capture the fuller and more complete picture of Yemen.”—Farea Al-Muslimi, journalist, activist, and a 2013 Foreign Policy Leading Global Thinker

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About the Author

Laura Kasinof is a freelance journalist who, at the age of twenty-five, reported from Yemen for "The New York Times" during the Arab Spring protests of 2011. Laura s work has also appeared in the "Washington Monthly," the "Economist" and the "Christian Science Monitor," among other publications. "

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Product details

Paperback: 328 pages

Publisher: Arcade; Reprint edition (March 1, 2016)

Language: English

ISBN-10: 1628726482

ISBN-13: 978-1628726480

Product Dimensions:

6 x 1 x 9 inches

Shipping Weight: 15.2 ounces (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

10 customer reviews

Amazon Best Sellers Rank:

#1,929,009 in Books (See Top 100 in Books)

As an aspiring journalist, this book heavily inspired me to face my fears and pursue whatever goals and desires I may have. Kasinof describes in great detail her experiences stepping into a whole new and intimidating world, but facing it with bravery and tenacity. I would recommend this read to any aspiring journalist, or anybody in the process of travelling to a new country.

Kasinof does an excellent job portraying a young woman's professional and personal journey while telling a story of political upheaval that few people know anything about. The book is funny in a way I wasn't expecting, and shines honest light both on what it means to be a journalist and what it takes to make a revolution.

This is a well written book with no ambition to be academic. I follow Yemen on a daily basis so in that sense this book did not really add much new insights. What I found interesting is the way the story is told. Its a very personal account of the challenges a young aspiring journalist are faced with. The book has a few fast phased sections but at times its some what repetitive. Even if you are well read up on what is going on in Yemen this book adds value to most readers. I truly enjoyed it and I would recommend this book as a introduction to journalists and any one interested in the events in Yemen during 2011.If you are looking for a hard core well researched book on Yemen I suggest you buy "Why Yemen Matter" edited by Helen Lackner.

Everyone should read this book its simply incredible!

thanks

I couldn't put this book down! Ms. Kasinof is not only an excellent journalist who covered a situation when no one else was brave enough to do so, her work also makes it easy and fun to learn about the Yemeni protest movement. Kasinof gives many examples that get to the heart of the beauty (and the sadness) of the Yemeni people and the situation they face - bad governance, a weak state, poverty, dwindling resources, etc. What emerges is a narrative that reveals that Yemen is far more than just the battleground against Al-Qa'ida depicted in the U.S. media. The author is honest about her own weakness and insecurities. She gives us some insight into the brave (and perhaps slightly deviant or naive!) young people who commit themselves to immersion in Arabic language, culture, and politics. Kasinof is frank about how little she knew going into the situation, as well as what it was like becoming one among a small minority of experts on Yemeni politics. In addition to being informative, the book was also funny. I particularly enjoyed her tale about becoming a Yemeni soap opera star! Full disclosure: I am an academic who studies the politics of the Middle East. That said, I would recommend Kasinof's book to any person interested in getting a taste of the complexity of Yemeni political issues. It is readable, funny, sad, and true.

I know Laura, so of course I am partial to the book. Yet I am happy to recommend it for a number of reasons. Yemen is often in the news, and here is a book that gives you an insight into what the country is like, and how it is experienced, and how there are tensions and fissures and clans, and how these things are negotiated. All of this is woven into a very personal account, making it much more engaging than what you would read in a book that sets out to explain the region.Another aspect that I thought was really highly unusual in the book is the candour with which the author tells her story. Often people coming back from war zones put on a kind of jaded persona, and it's a studied effort. Here, instead, we get a very personal account that is frank about the excitement, even the giddiness, of some of the work, among turmoil and loss. That's incredibly rare, for an author to put herself out like this, and for that reason too, this book is immensely readable. Very happy to recommend it very highly.

Don’t Be Afraid of the Bullets is a compelling and thoughtful story about a young journalist caught up in the protests and violence of Yemen’s Arab Spring. Kasinof skillfully balances her own story with Yemen’s, pulling the reader into the front lines of action while also taking pause to reflect on the weight of these events. The author breathes refreshing honesty into the complicated mix of emotions, personal desires, and sense of purpose that motivated her to stay and report despite the dangers it posed. In doing so, she opens up a world previously unknown in Yemen, a place of striking beauty, rich culture and political intrigue. Ultimately, it’s the perseverance and fortitude of the young protestors that help define her journey, and Don’t Be Afraid of the Bullets endures in its conviction to find meaning amidst the flood of history.

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Ebook Free Sir Gawain and the Green Knight (Penguin Classics)

Ebook Free Sir Gawain and the Green Knight (Penguin Classics)

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Language Notes

Text: English (translation)

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About the Author

Bernard O'Donoghue is a Fellow in English at Wadham College and a noted Irish poet.

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Product details

Paperback: 192 pages

Publisher: Penguin Classics; 2 edition (November 30, 1959)

Language: English

ISBN-10: 9780140440928

ISBN-13: 978-0140440928

ASIN: 0140440925

Product Dimensions:

5 x 0.4 x 7.8 inches

Shipping Weight: 5.6 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

156 customer reviews

Amazon Best Sellers Rank:

#66,543 in Books (See Top 100 in Books)

I am a huge fan of the medieval masterpiece "Sir Gawain and the Green Knight," and so grateful that history was kind enough to leave us with a single surviving copy of it, so that we could realize how diverse, imaginative and rich in cultural mythology that Medieval society was. While we don't know the identity of the "Gawain Poet," his (or her) legacy has allowed us to realize that a local, native English literary tradition was thriving in the 14th century, and that many more masterpieces lost to us likely existed. I had read this poem years ago in a modern translation, and was instantly smitten .... The imagery that hearkened back to a deeply observant and poetic vision of the world, which so often seems lost in our digital-obsessed, anti-intellectual society today; the deft weaving of ancient pre-Christian symbolism with Christian themes prevalent at the time of the poem; the epic of Sir Gawain's quest, his inner turmoil and -- ultimately -- his humanity as he wrestled to reconcile his fear of what he was sure to be impending death with his sense of moral and chivalric duty: All these elements deeply resonated with me.As one with a deep and abiding love for and fascination with Old English and Middle English literature, culture, history and the medieval sensibility, I had come to want to experience this epic, powerful poem in its original tongue -- the northern Middle English dialect of the Gawain Poet. Finding such a copy -- and more than that, a version where the idiosyncrasies of that dialect's Middle English orthography were left intact (not standardized into Modern English equivalents) proved more challenging that I expected.When I learned that J.R.R. Tolkien -- not just beloved author of his own epic mythology, but eminent Old English (and linguistic scholar) -- had written his own analysis of the poem, and presented it, orthographically, virtually unchanged from the original, I was ecstatic. Tolkien's insights are to be trusted, and this particular book provides useful appendices on pronunciation of Middle English, notes on word meanings and interesting notes about the original manuscript in which the poem was discovered, and other fascinating context.For anyone with a love of historical English literature, this poem is a must, and I highly recommend reading this poem, if possible, in the original Middle English. So much is ultimately lost in translation -- especially when authors strive to preserve the unique alliterative structure of the poem. For those who might be intimidated by the quirks and inconsistencies of Middle English spelling, and the strangeness of several of the words, never fear: Middle English bears many similarities to Modern English, and once one gets a feel for the pronunciation (and becomes more acquainted with some key Middle English vocabulary), it becomes a thoroughly enjoyable and enriching experience to travel back nearly 700 years to recite this magnificent treasure of English literature in its original tongue.

This translation of Sir Gawain and the Green Knight is rich in color, full of action, written with respect for the original poetry (in a Northern dialect of Middle English that partakes heavily of Old English and Old Norse influences). The richness of the story, the surroundings (both natural and courtly), and the vivid descriptions of hunting and fighting, make this very important knightly adventure jump off the page.

The standard text for serious aficionados of "Sir Gawain and the Green Knight," edited byJRR Tolkien--cf Lord of the Rings. It still has the same green cover and illustration that it had35 years ago in my Pearl Poet class! It presents the Middle English text without the accompaniment of a modern English translation. However, 61 pages of detailed notes and 68 pages of extensive glossery make this bookwell worth having for those who want the experience of reading the original text. A lot is lost in translation,even within the same language. Going from Middle English to Modern English is a lot like drinking warm cokethat's been left out overnight in a glass--the real essence is gone. So I'd recommend the struggle the textdemands. It's really worth it and Tolkien's notes and glossery are a great help. You can get Tolkien's translation to Modern English in another book, without the Middle English, if you want to have that extra assistance.

The author of this little masterpiece is unknown. This story - or 'romance' if you like - was found in a little manuscript that was written in c.1380. There are three other stories in that manuscript presumably by the same author.King Arthur, his wife Guinevere, and the Knights of The Round Table are celebrating Christmas and New Year at the famous castle 'Camelot'. One evening a huge knight on horseback bursts into the Hall during dinner, brandishing a large and fearsome battle-axe. Everything about him is green, not only his armor - as one might expect - but also his face, his hair, and even his horse. He has come in peace as he is advertising more than once. In short he says: who is bold enough to step forward and try to chop my head off with this battle-axe? But after one year and a day it will be my turn to deal a blow. Gawain, one of the Knights of The Round Table, steps forward, takes the axe and beheads the Green Knight. As if nothing happened the Green Knight picks up his head, takes it under his arm and the head says: a year and one day from now it will be my turn to give you a blow. You have to promise that you will come looking for me. You can find me at the Green Chapel ( It's almost a joke but who knows? Maybe this is all just a joke ). If you survive my blow I will give you a great reward. The Knight doesn't want to say where the Green Chapel can be found. It's far away from here but you will find people who can show you the way. And remember, you promised. And so the adventure begins for Gawain. He has to go without a companion. He stands on his own for that was a part of the deal.This Fantasy element is the only one in the story. Everything else is realistic. That could be an indication that some scholars are right when they say that the Green Knight is a symbol for the reviving of Nature after the winter. There is a parallel between this symbolism and Gawain who's becoming more mature as the story unfolds. Throughout the story he's tempted in many ways to betray his vow of chastity and loyalty to the Virgin Mary, and near the and of the story he's tempted into cowardice. After all is said and done Gawain has a more realistic view on knighthood. He becomes adult and reaches a new stage in his life just like the revival of Nature by the Green Knight.One of the things I like in this medieval romance are the hunting scenes described very vividly and in great detail. It starts with a description of the animal they want to hunt down: its strong and weak points. During the chase it is as if you can hear the horns blow and the shouts of the hunters, the barking of the hounds and the grunting of the wounded animal and it ends with the cutting of the meat after the bowels are given to the hounds as a reward.Bernard O' Donoghue has done a very fine job in translating this little masterpiece of medieval literature. It's a vivid and a very readable verse translation of this engrossing adventure.

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