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Selasa, 09 April 2013

Ebook , by Al Judge

Ebook , by Al Judge

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, by Al Judge

, by Al Judge


, by Al Judge


Ebook , by Al Judge

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, by Al Judge

Product details

File Size: 6281 KB

Print Length: 100 pages

Simultaneous Device Usage: Unlimited

Publication Date: October 31, 2016

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01M8Q4ABS

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Amazon Best Sellers Rank:

#15,973 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This is a pretty serious book. It's well written and easy enough to read but the author goes into great detail on this subject. Prior to reading this book I never reaized how much there was to know about using histograms to improve your photography..Overall I would say that this is one of the most useful books I've read on any sort of photography technique. I am already looking at two more of his books.

This book explains the finer points of histograms, a tool that most photographers don't ever utilize. Even though it is well written, it will probably take two or three readings for it all to sink in. However, once you learn to use the histogram, your exposures even under the most difficult circumstances will be much more accurate. Anyone with a DSLR camera should learn to use the histogram to improve their photography. As primarily a wildlife and nature photographer, I found this book easy to read and a valuable addition to my photographic arsenal. Lots of examples to analyze. Well done Al.

One of a kind book covering exclusively one only aspect of photography - exposure histograms.Though author features this book as a tool necessary for an experienced film photographers that switched to modern digital photography - this is not the point.The book will be useful for anyone who wants to add such valuable tool as exposure histograms to theirs arsenal.It is difficult to perceive some points of a particular topic but overall it's much better than reading an obvious for experienced photographers things.Overall, book gives perfect understanding for what is histograms in photography, what are they for, their types and how to read and use them.I do not regret spending 4 bucks on this book.

I found this book to be very informative regarding the purpose of the histogram and how I can use it for better pictures . I wish that it was a little more in depth and how to use it backwards and forwards between the LCD screen while on manual mode with my camera. I would like to know if I can adjust the histogram on the LCD screen prior to taking the picture or if there is anything else on my camera dials that I can use to watch the histogram I just for my picture. I would recommend this book for anyone who really wants to understand how to take good pictures and use the histogram as a guide. I will be going back to this book again for reference when I have questions regarding the histogram .

This book is a good introduction to the use of histograms, it covers the need for using histrograms, how colours are used in digital photography, how to read a histogram, and analyses a few photos, their histograms and why different patterns make good photos.It is easy to understand with few technical terms, all of which are clearly explained at their first use and in the glossary at the end of the book. It uses repetition to make sure that you fully understand the points but the only repetition that is really noticable is the mention that reptition is being used.This book is really aimed at the photographer who isn't familiar with the use of histograms, whether or not you are an experienced film or digital photographer, and is an excellent introduction. It is also useful for those who know a little about histograms but would like to be more confident with them. In either case this book will help you to take better photos, and to process photos better using digital editing software, but if you are experienced and comfortable using histograms you probably won't get much from this book.

This book is definitely worth the reasonable price for which it is being sold. It explains histograms quite well, from both a technical and historical perspective. As Judge explains, this tool that seems unique to digital photography is a natural extension if the zone system out forth by Ansel Adams. He goes on to explain exactly what information is and is not conveyed in a histogram. My one criticism is that he does not explain much about how histograms are modified by common post processing tools. I would have really appreciated a chapter that explained how tools in photoshop or lightroom, such as adjusting contrast, saturation, vibrance, and even exposure impact the histogram.

This is exactly the book I needed to better understand the benefits of consulting photo histograms in their various forms without wading through dense technical information. This author has boiled down the topic and presented it in easy-to-understand language. Most valuable to me was his explanation of the differences between in-camera histograms and histograms used in post-processing. Finally, someone has unlocked for me their tremendous potential value for quickly analyzing and appraising images from capture to display. Thank you, Al Judge!

I recently bought Nikon D750, one of the most advanced Camera that Nikon makes, to advance my photography skills to the next level. I had no clue when I saw a Historgram on the LCD screen what they are, why they are there and what information they provide. That is when I decided to buy this book to educate my self about Historgram. After reading this book, I realized that in modern world of digital photography, it is extremely important to understand histograms and how to properly set your camera using information from a histogram for a better exposure and, in this regard, this book is very helpful. Al Judge has the uncanny ability to explain complex matters in very simple terms. I also like the way he writes a book: "Definitions are identified by font and color...; Significant terms are identified by a bold, italic font". Such a simple approach/idea makes it easy to find information for a specific topic. I was so impressed by Al's writing style, which was easy to comprehend, that I decided to buy his other books on other photography topic . Whether you are a beginner or advanced photographer, and need a crash course in Histograms, this is the book to buy.

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Senin, 01 April 2013

Download The Bear and the Nightingale: A Novel (Winternight Trilogy), by Katherine Arden

Download The Bear and the Nightingale: A Novel (Winternight Trilogy), by Katherine Arden

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The Bear and the Nightingale: A Novel (Winternight Trilogy), by Katherine Arden

The Bear and the Nightingale: A Novel (Winternight Trilogy), by Katherine Arden


The Bear and the Nightingale: A Novel (Winternight Trilogy), by Katherine Arden


Download The Bear and the Nightingale: A Novel (Winternight Trilogy), by Katherine Arden

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The Bear and the Nightingale: A Novel (Winternight Trilogy), by Katherine Arden

Review

“Arden’s debut novel has the cadence of a beautiful fairy tale but is darker and more lyrical.”—The Washington Post“Vasya [is] a clever, stalwart girl determined to forge her own path in a time when women had few choices.”—The Christian Science Monitor“Stunning . . . will enchant readers from the first page. . . . with an irresistible heroine who wants only to be free of the bonds placed on her gender and claim her own fate.”—Publishers Weekly (starred review) “Utterly bewitching . . . a lush narrative . . . an immersive, earthy story of folk magic, faith, and hubris, peopled with vivid, dynamic characters, particularly clever, brave Vasya, who outsmarts men and demons alike to save her family.”—Booklist (starred review) “Arden’s supple, sumptuous first novel transports the reader to a version of medieval Russia where history and myth coexist.”—Kirkus Reviews (starred review)“Radiant . . . a darkly magical fairy tale for adults, [but] not just for those who love magic.”—Library Journal“An extraordinary retelling of a very old tale . . . A Russian setting adds unfamiliar spice to the story of a young woman who does not rebel against the limits of her role in her culture so much as transcend them. The Bear and the Nightingale is a wonderfully layered novel of family and the harsh wonders of deep winter magic.”—Robin Hobb “A beautiful deep-winter story, full of magic and monsters and the sharp edges of growing up.”—Naomi Novik“Haunting and lyrical, The Bear and the Nightingale tugs at the heart and quickens the pulse. I can’t wait for Katherine Arden's next book.”—Terry Brooks “The Bear and the Nightingale is a marvelous trip into an ancient Russia where magic is a part of everyday life.”—Todd McCaffrey “Enthralling and enchanting—I couldn’t put it down. This is a wondrous book!”—Tamora Pierce

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About the Author

Born in Austin, Texas, Katherine Arden spent a year of high school in Rennes, France. Following her acceptance to Middlebury College in Vermont, she deferred enrollment for a year in order to live and study in Moscow. At Middlebury, she specialized in French and Russian literature. After receiving her BA, she moved to Maui, Hawaii, working every kind of odd job imaginable, from grant writing and making crêpes to guiding horse trips. Currently she lives in Vermont, but really, you never know.

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Product details

Series: Winternight Trilogy (Book 1)

Paperback: 368 pages

Publisher: Del Rey; Reprint edition (June 27, 2017)

Language: English

ISBN-10: 1101885955

ISBN-13: 978-1101885956

Product Dimensions:

5.4 x 0.8 x 8.2 inches

Shipping Weight: 10.4 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

1,110 customer reviews

Amazon Best Sellers Rank:

#8,021 in Books (See Top 100 in Books)

Let me put this within a context that might resonate better. So, imagine if I opined that all Muslims are terrorists and that anyone who isn't heterosexual is evil and less deserving of compassion and love. How fast would it take you to flag this review?This book went from a story premised on Russian folklore to one that not only degrades Christians, but it also characterizes them as duplicitous and malevolent.Look, real-life comprises layers and nuances and not one group is completely good or bad, but to malign, for instance, an entire race because of prejudice and/or ignorance is not acceptable to me; not unless such is required to advance the story. And quite frankly, I don't believe that Arden adequately justifies this plot device; which makes it seem like a self-indulgent, deliberate, and malicious subversion of Orthodox Christianity.In the end, and by juxtaposing mysticism with Orthodoxy in a "good v bad" battle (with Christianity being all bad), Arden allowed her personal bias and prejudice interfere with the organic flow of what could have been a rather enthralling read. And I couldn't help but wonder if she would have dared insinuate this sort of drivel about the Ottoman Empire, or Islam for that matter.

This is the second retelling of the Russian fairy tale “Vasilisa the Beautiful” to appear in recent months. The other one, Sarah Porter’s Vassa in the Night, sticks much closer to the original story, even though it is set in modern Brooklyn (where witch Baba Yaga runs a convenience store chain). This one, although it retains the overall feeling of a fairy tale, doesn’t follow the specific plot of the Vasilisa tale very much. On the other hand, it makes real the environment in which the original tale probably developed: Medieval (1300s) Russia, especially its heavily forested, bitterly cold northern portion. I learned interesting details of the way people coped with that environment, such as sleeping on top of the big family oven to stay warm.There are two main conflicts in the story. One is between two brothers, both spirits of Winter and Death, but one relatively benign and the other essentially evil. The other, which I found the more interesting of the two, was the conflict between the traditional pagan beliefs of the Northern people, featuring different spirits that guard homes, horses, forest, and more, and the relatively new and monotheistic Christianity, here presented (in the form of charismatic priest Father Konstantin) as primarily a religion of fear. The contrast is vividly presented in the difference between Vasya (Vasilisa) and her stepmother, Anna Ivanovna, the only two characters who can see the spirits: Vasya finds most of them friendly and treats them with kindness and respect, but to Anna, obsessed with the new religion, they are all demons.The story focuses on Vasya’s learning how to deal with both of these conflicts and their consequences as she grows to maturity, but it also develops a third, somewhat less obvious conflict: between Vasya’s independent personality, as free and nature-oriented as those of the spirits she befriends, and the very limited range of roles and behavior considered acceptable for women of her time and place, even those who, like herself, belong to a basically loving and relatively well-to-do family. She earns her fairy-tale ending, but I wondered what she would have done if she had not had magic to help her.

I think I was misled by many of the reviews and reviewers here.The book started off relatively strong, with a strong dose of seeming historical realism and a touch of magic realism and elements of Russian folk lore.However, as the novel progressed it became more cliched, following a standard "young adult" template, in my opinion.This is definitely "chick lit" (I know this term can be offensive, but I believe it's true and applicable, in this case. I suspect the overwhelming number of readers and reviewers here are female). Morozko, who starts out as a mysterious elemental force, becomes, by the end, a kind of young adult female fantasy figure--a kind of combination Mr. Rochester, Heathcliff, and distant but attractive generic "bad boy"--and at the very end, even a kind of banal "Laurel and Hardy" partner in crime.Vasya's time in Morozko's "house" has a "Nutcracker"-ish flavor to me--the young girl's fantasy of the "snow prince." Again, a very "chick lit"-ish trope.The final climax was anticlimactic for me, and the final emotions, words, and actions seemed not fully earned to me, and sometimes devolved into pulp fiction cliches.I wished for more and I wished for better, at the end. Probably won't proceed to the second book.P.S. And if one more character spoke with "asperity," I was planning to rip that word out of my dictionary. And if Morozko "raised his eyebrow" one more time, I was going to send him to a waxing salon.

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