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Minggu, 01 Mei 2011

Free Download , by Ray Kroc Robert Anderson

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File Size: 744 KB

Print Length: 222 pages

Publisher: St. Martin's Griffin; Reissue edition (August 2, 2016)

Publication Date: August 2, 2016

Sold by: Macmillan

Language: English

ASIN: B01FQQMMCG

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I devoured this thing in a single day; it's easily written, in a folksy English - something that I found interesting as a small trip back to the '80s (though arguly to even before that as he grew up in the Great Depression).I found this book immensely interesting for two main points: 1) to get an inside view of what McDonald's thinks of McDonald's - especially with the largely negative view I would say the public has for this food chain; and 2) given that it's an autobiography - to see the first hand account of one of our greater rags to riches stories and the man who really did create a new industry.It's a fast paced story told marvelously - and I never found myself bored or skipping pages...until at least the very end when he went into detail regarding his time with the baseball team.It will be interesting having read this, to compare against the story that will be told in the upcoming film 'The Founders', the John Lee Hancock film about the founding of McDonald's. I wish there was a more updated and more unbiased look into this story, as I'm sure that a book written 30 years after the fact (and by the founder no less) would be subject to some factual nuances.But in the end, I found it quite inspiring to look into his life - to learn and understand how he really did have to 'grind it out' to even get to the point of understanding the future surrounding the McDonald's brothers' premise.

After watching The Founder I had to read it. I did, I loved it and wished there was more but there isn't. Its a short book thats Ray Kroc's version of his life so its very sanitized. You see very little warts here.In reality he jacked alot of people and supposedly made tons of enemies, much of it due to his alcoholism; but none of that is ever mentioned. Thats the bad part.But the good is getting to peak into the mind of a bonafide visionary. A true business genius. If your interested in the mechanics of what makes you successful as a businessman you will really enjoy this book. I would have given it a 5 star if it just had a little more detail. Gets a little borong towards the end when he told his story and then had no gas left in the tank but all in all if you saw the movie you will really enjoy the book.

Very interesting book, pretty much all the way to the end. I haven't yet seen the movie that is inspired from the book, but I'm sure if you love one than you'll surely appreciate the other. The best part about it is that the late Ray Kroc himself wrote this thing. It's very insightful to the start of the company (it was a rough beginning), following the many openings to cities all across the country, as well as throughout the world. He describes greatly his successes as well as his failures. I recommend this for a read.

Ray Kroc was a piano player and a paper-cup sales men in the 1930s and 1940s. In the mid 1950s, he started the McDonald's Corporation. Although he was in his early 50s when he founded McDonald's, he often replied to people commenting on his overnight success in saying: "I was just like showbusiness personalities who work away quietly at their craft for years, and then, suddenly, they get the right break and make it big. I was an overnight success all right, but thirty years is a long, long night."Ray Kroc saw the value of a lean operation when he was selling milk shake mixer to the McDonald brothers hamburger store. It was the first McDonald's and he offered them the idea of franchising their store. Since all they wanted was to retire, the gave the right to franchise McDonald's store to Ray Kroc and he would charge the franchisee 1.9% of sales of which 0.4% would go to the McDonalds brothers. This sparked the true beginning of the McDonald's corporation.Growing the McDonald's Corporation into an international fast food chain wasn't an easy journey. What is striking about Kroc is the amount of credit he gives to his team and employees. The focus of the organization's success is credited to the people running it as well as the franchisees - the store operators. One of the more memorable lines from the books is: "if he [the store operator] doesn't make money, I'm in a peck of trouble...but I'll be right out there helping him and doing all I can to make sure he makes money. As long as I do that, I'll do just fine." This is basically the McDonald's mantra in the mid 1960s and early 1970s.The most interesting aspect of McDonald's growth is their spirit of being pioneers. They always looked for ways to do things better and more efficiently. They also made sure that their suppliers prospered and grew with them. To accomplish this, they merged their aim to develop better ways to transport meat and potatoes, for example, with a promise to stick with the suppliers that helped them do just that. They made it clear - as a strategy - that they would never become their own suppliers. The company focused on what it does best, selling burgers and fries.Letting go of the control is probably the hardest thing Kroc ever did. Although he had a hand picked successor. He didn't completely let go. Rather, the transformation phase to the next generation and the generation thereafter happened slowly and gradually. Nevertheless, Kroc never left the organization. He always had a role in developing new products and menu items and designing new stores.I gave it four stars for being too brief in discussing major story points of the creation of McDonald's.

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Jumat, 29 April 2011

Free Ebook The Science of Enlightenment: How Meditation Works

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Audible Audiobook

Listening Length: 8 hours and 54 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Post Hypnotic Press Inc.

Audible.com Release Date: May 31, 2018

Whispersync for Voice: Ready

Language: English, English

ASIN: B07D9V7CR1

Amazon Best Sellers Rank:

Shinzen Young is a rarity among meditation teachers. He is educated as a scholar in Buddhist studies and Asian languages. He lived as a Shingon monk in Japan, a branch of the Vajrayana school (a distant relative of Tibetan Buddhism), and has trained extensively in Zen and Theravadan Vipassana. Combine this with his studies of worldwide meditative traditions and you get a teacher with an extraordinary breadth and depth of experience and training, and decades of teaching experience. Shinzen is very articulate at describing meditation and spiritual practice with exceptional clarity. I have read many books by well-known teachers and I have attended several retreats. Yet, there were a few facets that were vague to me, but I didn't even realize it until Shinzen clarified it.For example, "clear knowing" is a fundamental aspect of vipassana meditation. However, I understood what this meant much better after Shinzen explaining it as meaning a finer grained resolution of experience (e.g. the tiny microsensations that make up any larger bodily sensation), as well as discriminating clearly between the components of experience (seeing, hearing, feeling, mental talk, mental image, etc.). Concentration serves as an awareness-extending tool in the same way a microscope allows a biologist to see what was not apparent to the naked eye. Maybe his most famous formulation is Suffering = Pain x Resistance, where "pain" can be any form of distressing experience (sensations, emotion, or thoughts). Equanimity, then is non-resistance to these experiences. So, as we reduce our resistance, the pain may remain the same, but suffering is progressively reduced. These are classic concepts in meditative traditions, but here they are seamlessly integrated and placed in the broader context.Shinzen further describes more subtle aspects of meditation practice and how these progress toward Enlightenment. Enlightenment is not a magical, mythological fiction, but in fact a real phenomenon, a shift in consciousness that happens to regular people who do sufficient and strategic practice, which greatly enhances a person's resilience, joy, wisdom, and compassion, magnifying their quality of life. Here is where the "science" part of the title really comes in. Shinzen is fascinated by the sciences and has a proficient understanding of them. He sees "spiritual" practice and science as two parallel but complementary human developments, where each can inform the other and collaborate. Ultimately the collaboration between these two endeavors may make enlightenment more accessible to a greater number of people, possibly changing the course of humanity for the better.Much of the content of this book was released from his audio CD series, also called The Science of Enlightenment, which radically changed my understanding and practice. This text version is not a mere transcription of that series, however. It is updated with a lot of newer material.

For most of human history, a person who wanted to learn to meditate had one teacher who taught a single, unified approach, with a coherent set of practices and terminology. An American in the 21st century, however, faces a bewilderingly diverse array of traditions, each of which has its own practices and special terms. To complicate things further, many of these traditions use the *same* terms to mean different things and the same practices aimed at different goals.Faced with this Tower of Babel, it's easy to superficially jump from one approach to another, not sticking with any practice long enough to make any meaningful progress. It's also easy to respond to this confusion by throwing one's hands in the air and simply giving up.The value of this book is that it gives one a coherent mental framework with which understand all the world's meditation practices. This is the sense in which we can say the author presents a "science." Just as the scientific classification of animals equips a biologist to make sense of a newly-discovered species, this "scientific" classification of meditation practices equips one to make sense of the bewildering array of meditation practices they are likely to encounter in the modern "marketplace" of spiritual ideas.The book has much to offer in addition to this, but this is the biggest payoff for a new reader in my opinion.

Shinzen Young's magnum opus. It describes awakening clearly, correctly, concisely, and precisely.Shinzen describes what it actually feels like when you meditate. Whether you're meditating for the very first time, or whether you've done it for 50 years, he'll speak directly to you about what's going on in your practice. What's more, he makes it so simple and practical, a first grader could understand it.If you want meditation to be more than just "relaxation practice"--in other words, if you want to change your life--get this book and follow the instructions. It's nothing complicated or fancy. It's just a set of skills. You practice happiness and clarity, and you get better at them. Just like cooking or running or painting or anything else. Shinzen shows you how to practice awakening.

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Download Ebook The Game Audio Tutorial: A Practical Guide to Sound and Music for Interactive Games

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The Game Audio Tutorial: A Practical Guide to Sound and Music for Interactive Games

Review

If you want to learn about game audio implementation, this is the book for you! Stevens and Raybould have written a thorough, practical, hands-on guide to sound and music implementation in games and, by doing so, present the reader with an excellent introduction to the concepts of interactive game sound. Speckled with humour and written in an accessible style, this book is sure to find a home in many classrooms and homes of aspiring sound designers, composers, and audio programmers. -Karen Collins, Canada Research Chair in Interactive Audio, University of Waterloo, Author of Game Sound The Game Audio Tutorial is not only an impressive exploration of the UDK audio system, but also a thorough introduction to fundamentals of audio for games. Novices and advanced users alike will find this book an invaluable resource, as it takes the reader through the process of triggering their first sound to scripting complex in-game actions. The authors (Richard Stevens and Dave Raybould) have put together an amazing amount of information about audio for the UDK not easily found anywhere else. The Game Audio Tutorial is one of a kind and has found a way of making seemingly difficult concepts easier to understand. -Chris Latham, Associate Course Director of Advanced Interactive Audio at Full Sail University and Co-Founder of EngineAudio.com

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From the Back Cover

Better use of audio makes for a better game. Whether you're a sound designer, composer, or game designer, you are responsible for the audio experience. Go beyond one-shot sound effects or music loops and embrace the future of interactive sound with this practical course in game audio, complete with a powerful companion website. The Game Audio Tutorial provides you with a unique tutorial game level built with the Unreal® Development Kit, available only at www.thegameaudio.com. Each section of the text links to an area of the game level, which allows you to experience the principles in action before you applying them yourself with more than fifty practical exercises. The Game Audio Tutorial website (www.thegameaudiotutorial.com) also offers: A free sound library with hundreds of FX to get you started An up-to-date online bibliography with links to the latest articles and discussions Over twenty tutorial videos to talk you though key techniques step by step

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Product details

Paperback: 448 pages

Publisher: Focal Press; 1 edition (March 29, 2011)

Language: English

ISBN-10: 9780240817262

ISBN-13: 978-0240817262

ASIN: 0240817265

Product Dimensions:

7.5 x 1 x 9.2 inches

Shipping Weight: 2.2 pounds (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

17 customer reviews

Amazon Best Sellers Rank:

#1,246,178 in Books (See Top 100 in Books)

This book should be good but the website has not been updated in almost four years. As far as I can tell you can no longer download the free version of the Unreal Development Kit, which the book is based on! I emailed the authors using the link on the text's site and my email was returned stating that their box was full and that my email could not be delivered. The light is on and no one is home! I now have a $56 paperweight! PLEASE save your money! If I could give it zero stars I would!

This book is so good at step-by-step explanation and exercises that I've adopted it as the text for my Audio for Video Games course at UVU. Recommended.

This book gave me a feel for how audio works in video games. It allowed me to look at games in a different way.

A great product for anyone interested in video game audio and especially the Unreal Development Kit. Be forewarned though that the UDK is an ever evolving engine so some of the tools and topics used have changed or are outdated. The online resources are an excellent as well.

I enjoyed this combination of step by step exercises and in-depth discussion much more than I expected to, based on the title and blurb. I thought it might be some high-level, tweak-the-templates walkthrough but the book covers game audio in depth, from processing ambient and abstract sounds, to dialog as well as integrating actual music. There's even a section on music-based games, where audio drives the gameplay, rather than its more typical role of enhancing and adding realism to graphic action.The authors use the open source Unreal Development Kit (UDK) to present a sample game level that you enhance by following the tutorials. In many cases, they've left markers for you or created game `actors' that you provide sound for. The tutorial steps are set up and elaborated upon with detailed discussion, rather than simply, 'Do this, then do that'. The goal is for you to understand concepts and apply the techniques in your own creations rather than just work through the book.I really underestimated the content and capabilities of integrated game development environments such as UDK, which I hadn't used before. As a musician familiar with DAWs and graphics programs it's interesting to see how UDK incorporates elements of both, along with a kind of table-driven code generator. You get fine-grained access to details but you're working at the abstraction layer of the game, rather than in the low-level code. As someone who keyed in C and assembler game listings years ago for hours on end, praying they would compile, no less actually run, this is a revelation.The opening tutorials demonstrate ambient room sound, the problem of walls and simulating natural attenuation to create realistic presence. This really set the stage and hammered home to me just how far game audio has come from the monophonic, predictably repetitive little tunes that graced the games I first played and experimented with coding.There are tutorials demonstrating how to reuse audio samples by manipulating them with filters and even pitch shifting. Others show how to apply reverb and set up ambient zones that map to physical scenes. Some of these features may not be a parameter-rich as in a DAW that's dedicated to music production, but they're more than adequate for games where, let's face it, most of the time audio plays second fiddle to visual action. And you can always use your favorite DAW to generate material to import into UDK.The first three chapters deal with ambient and abstract sound and the corresponding UDK tools. The book really hit its stride for me in chapter 4 with music and the techniques and tools for integrating it. Some of the track synchronization demonstrations will feel familiar to anyone who's coordinated video and sound inside a DAW.What most interested me were the techniques of layering, randomizing and recombining musical and sound elements to keep the audio as dynamic and interesting as the graphical elements. A recurring theme is the authors' view that, in the non-linear narrative world of interactive games, there's a delicate balance between familiar and unfamiliar elements. It can really intrude on a player's sense of exploration to hear audio that repeats too predictably, especially when the visual context has clearly changed.There are practicalities in the book as well: UDK targets game audio development for a variety of platforms, including phones and dedicated consoles with more restricted memory and storage. So there's a detailed discussion of file compression and the tradeoffs between streaming audio from disk as oppose to loading everything into RAM. As a reference, I'm running a desktop PC with 6GB of RAM and a 2.93 GHz i3 processor and the response is playable and the audio is clean.The accompanying website and instructions for downloading and setting up your UDK environment are straightforward. There's a more recent UDK Beta available but I chose to stick with the version the authors used, based on my experiences with other books. If you're unfamiliar with UDK, as I was, the editor interface is pretty busy and it took a while for me to get my bearings. Way back in Appendix C the authors recommend checking out the UDK docs and online info for the basics. I would have appreciated being told that in the book's intro; it would have saved some frustration.I'd recommend the book not just to composers and game developers but to anyone interested in sound design for music and media. Obviously it's tailored towards interactive games but many of the concepts and techniques can be applied elsewhere in, for example, film and TV scoring, experimental composition or multimedia art.The `Game Audio Tutorial' is intelligent, well-written, and takes its subject seriously (It's also a lot of fun to work through, so don't be put off if fun is your main motivation).

The title says it all. If I had the choice to extend the title, it would be something more like "The In-depth Guide to Game Audio Creation, Execution and Theory."This book is perfect for someone looking to either start learning or enhance their knowledge of audio in game design. The book uses the Unreal Development Kit for its series of tutorials and teaches users how to use its basic features (mostly Unreals' scripting program "Kismet") to produce studio quality sound in an interactive game.One of the things that makes this book easy to pick up is that no prior knowledge is required. If you have never used a 3d game design tool before, the first few chapters of the book break down the basics for you showing you how to create, manipulate, move and test assets in a 3d environment (Though I do not suggest using this book as a level builder guide. If you have no experience in a 3d game editor, I suggest reading up on that first before tackling audio.) The book uses premade levels (which you can pick up from their website) which helps in shortening the learning curve so that way you can get down and dirty with the audio design. Another great advantage of this book is that the concepts you learn in UDK will carry over to a variety of other game engines such as Unity and Source.As far as the content it teaches goes, you can find pretty much all of it on the internet. UDK's website has many good articles on how to effectively use their tools to design game audio. The reason this book is better than most internet resources is that:1. It takes you through every step2. All of the information you need is in one quick to look at resource instead of 30 tabs on your internet browser3. Investigates a much more focused area of game design rather than most UDK references (which cover a much more generalized selection of fields)4. This book explains the theory behind game audio unlike most internet tutorials.As an aspiring game designer, I can easily say that after reading this book I have a much better understanding of how to effectively use sound and music when designing levels for games to create a large variety of emotional responses from the player and has indeed furthered my knowledge of game design. If you plan on going into game design for a career, I highly recommend this book.

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Kamis, 21 April 2011

PDF Ebook Are We Human? Notes on an Archaeology of Design, by Beatriz Colomina Mark Wigley

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Are We Human? Notes on an Archaeology of Design, by Beatriz Colomina Mark Wigley

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About the Author

Beatriz Colomina is Professor of Architecture at the Princeton University and Director of the interdisciplinary program Media and Modernity. She is a historian and theorist who has writtenextensively on questions of architecture, art, sexuality and media. Mark Wigley is a Professor of Architecture and Dean Emeritus of Columbia University's GraduateSchool of Architecture, Planning and Preservation. He is a historian and theorist who explores the intersection of architecture, art, philosophy,culture, and technology.

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Product details

Paperback: 288 pages

Publisher: Lars Müller (January 15, 2017)

Language: English

ISBN-10: 303778511X

ISBN-13: 978-3037785119

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4.4 x 0.5 x 7.1 inches

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5.0 out of 5 stars

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Amazon Best Sellers Rank:

#308,918 in Books (See Top 100 in Books)

Such a clever review of contemporary/near future topics that are pertaining to design (and more generally to society). Ecology, artificial intelligence, anthropocene, machine learning and much more.... those "big words" get an open-minded overview (with a little bit more about architecture than design, indeed). Short chapters, lots of examples provide a lively flow of thoughts that are never too abstract. Very good book to be recommended.

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Jumat, 01 April 2011

PDF Ebook Guide to Novell NetWare 6.0 Administration (Networking)

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About the Author

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Product details

Series: Networking

Paperback: 900 pages

Publisher: Course Technology; 3 edition (March 28, 2003)

Language: English

ISBN-10: 0619120371

ISBN-13: 978-0619120375

Product Dimensions:

7.2 x 2 x 9 inches

Shipping Weight: 3.6 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#10,496,008 in Books (See Top 100 in Books)

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Kamis, 24 Maret 2011

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Minggu, 20 Februari 2011

Free Download Shoot an Iraqi: Art, Life and Resistance Under the Gun, by Wafaa Bilal Kari Lydersen

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Shoot an Iraqi: Art, Life and Resistance Under the Gun, by Wafaa Bilal Kari Lydersen

Shoot an Iraqi: Art, Life and Resistance Under the Gun, by Wafaa Bilal Kari Lydersen


Shoot an Iraqi: Art, Life and Resistance Under the Gun, by Wafaa Bilal Kari Lydersen


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Shoot an Iraqi: Art, Life and Resistance Under the Gun, by Wafaa Bilal Kari Lydersen

From Publishers Weekly

Starred Review. Weaving together accounts of Iraq and America, art and violence, performance and reality, past and present, this gripping account all but shakes the reader by the lapels. Iraqi-born artist Bilal records the month he spent confined in his 2007 interactive performance piece entitled Domestic Tension, living under constant fire from a chat room–controlled paintball gun 24 hours a day, his every move dogged and determined by the hostility—or benevolence—of his thousands of online viewers. The nerve-rattling conditions were intended to reflect both decades of suffering endured by millions of Iraqis and Bilal's own life and the costs of surviving Saddam's regime, Gulf War bombardment, Sunni-Shia violence, a brutal Saudi refugee camp and, finally, the difficulties and joys of the American immigrant experience. The author emerges as an Iraqi everyman, and his provocative book brilliantly juxtaposes images and time frames to convey the toll of war on Americans and Iraqis: We may think we are surviving, Bilal writes, but as I... twist and turn through sleepless nights, flailing between worlds of comfort and conflict, hope and despair, I wonder. (Dec.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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From Booklist

*Starred Review* Iraqi artist Bilal immigrated to the U.S. after Desert Storm, and channeled his haunting experiences into his performance pieces, culminating in Domestic Tension. For 31 days and nights, Bilal was the target of a paintball gun controlled by online participants who were invited to “shoot an Iraqi.” Video cameras recorded Bilal’s struggle to retain his composure if not his sanity as he interacted with shooters and viewers via a chat room and YouTube. Now he writes about his art and his life in Iraq, revealing overlooked daily struggles of existence under a dictator, in war, and during a long-term occupation. Ultimately the death of his brother back home via an unmanned American drone compelled Bilal to make his greatest artistic statement yet against all that makes the war in Iraq unreal to most outsiders. Recounting his own traumatic journey and the long-ranging effects of his bold installation makes for a powerful and demanding read that is, frankly, a literary punch to the gut. Bilal discloses all the risks he has taken with his art and asks why Americans are not willing to take their own chances and uncover the dirty truths about the Iraq War. --Colleen Mondor

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Product details

Paperback: 177 pages

Publisher: City Lights Publishers; First Edition edition (September 1, 2008)

Language: English

ISBN-10: 087286491X

ISBN-13: 978-0872864917

Product Dimensions:

6 x 0.5 x 8.5 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

11 customer reviews

Amazon Best Sellers Rank:

#1,091,400 in Books (See Top 100 in Books)

In November, 2010 I read about the artistic exploits of Wafaa Bilal and was intrigued. So intrigued I blogged about his latest project and posted it in several online forums. I also ordered his book, "Shoot an Iraqi; Art, Life, and Resistance Under the Gun" co-written with Kari Lydersen. I read it in one sitting. Astonishing in content and brilliantly written, Bilal and Lydersen have taken, by my first estimate, an ill-conceived, albeit somewhat artistic, publicity stunt and turned it into a MUST READ commentary on the cost of war...now my second and more accurate estimate.In a nutshell Wafaa writes about his confinement to an exhibit room at the Flat File Gallery in Chicago. He called the exhibit "Domestic Tension" and lived within its confines for one month. That's the domestic part. The tension comes from the added twist. If you visited him, either on-line or in person, he gave you the option to fire a yellow paint ball at him at 300 feet per second, all day, every day. Approximately 65,000 balls of yellow paint were fired during his ordeal. He was forced to live under the fear of being whacked at anytime. There was a field of fire available to the paint ball gun which he could escape be remaining close to the ground...inducing the stress of literally living "Under the Gun". When online visitors stopped in they could chat with him directly, setting up a tension between those who could reach out to the humanity of the situation observing and bearing witness to the ongoing persecution, and those who wanted to have sadistic fun at the expense of another human being. (NOTE: Although sadistic fun unfortunately occurs in warfare I do not believe it is a primary driver yet it does become another ugly cost of war).As he writes about his ordeal during his month in captivity he wraps in the story of his early life growing up in Iraq under the brutal dictatorship of Saddam Hussein. He describes what life was like for the Iraqi people, their hopes and dreams for education and prosperity, their day to day family existence, with both their good humor and sanity evaporating during what has now amounted to almost three decades of constant war. Wafaa escaped as a refugee to Kuwait, Saudi Arabia, and finally to the United States but carries the scars of many haunting years of fear and persecution in its countless forms. That is what he was trying to recreate in "Shoot and Iraqi" as a cathartic response to the guilt he has felt by leaving Iraq and thus surviving to tell his tale."Shoot an Iraqi" is not a war protest, though many who read it might consider it so...I might also add that some associated with his project seem to convey a clear anti-war vibe...yet Wafaa resisted the invite to preach rather he simply wants us to think about the cost of war in human terms rather than ethical or moral implications. This book is also not an indictment on the use of remotely piloted vehicles to execute war, which have gained so much favor and criticism during the wars in the Middle East...yet remain highly misunderstood. Again, Wafaa resists the temptation to draw too many parallels between what he was doing and this new brand of warfare. Early on he exhibits a desire to make the parallel, primarily when he attributes a tragic event which cost the life of many innocent civilians to reconnaissance conducted by an unmanned aircraft. Only in the sense that violence is being executed at a distance can the two be compared. No other parallels to this brand of warfare exist. But this is not a debate to have in this book review. The other parallels to the stress of those caught in the war zone and living minute by minute "Under the Gun" with the constant threat of death are quite real.Wafaa has a unique vision in his art form that will continue to elicit strong criticism, censorship, and even persecution, whether intentionally by his own hand or by the hand of ignorance. He grows and we grow as a result of what he has experienced and has shared. This book goes a long way in reducing the hand of the ignorance...in this particular case mine.

Typically I try not to get into politics of wars but as fate had it, I actually had the privilege of having Wafaa himself as a professor when I attended The School of the Art Institute of Chicago a few years back when he was still teaching there. I didn't know what to expect having an Iraqi for a professor, mostly because I had little knowledge of Iraq outside of media coverage. As I began to get to know him, not only did I start to learn about his life and his part played within the political climate, I also learned how his artwork turned into a pivotal role in his own survival. His past artwork has shown how he is able to bring up controversial issues in a way that illuminates both sides yet remains unbiased. He is truly inspirational and I was constantly in awe of him when he was my professor. I decided to buy his book sometime later out of curiosity and it stood up well to the actual man it is about. The book does a fantastic job of jumping back and forth from his life growing up in Iraq to one of his more current pieces "Domestic Tension." The book also does a tremendous job explaining his artwork, why it was necessary for him to work "Domestic Tension" (a piece that literally had people shooting paintballs at him over the internet) and also what the cost of war is on a human level. Whether you're an artist, interested in the impact of war or just interested in biographies, I highly, highly recommend this book.

I loved this book. It's well written and provides more information than just about Wafaa's art project, but his life story. I like the parallel story structure and the incite that the book provided. I'm interested in art and Iraq, so this book was perfect.

This is a excellent book about one of the more important pieces of performance art in the last ten years.

This is a moving and poignant piece that deserves a wide audience. I feel fortunate to have read it.

I had to buy this book for a college level course. The professor drew empty comparisons between Wafaa's project and the bombing of his brother. People on the internet are not US soldiers, a paintball gun is not a real gun, and Wafaa himself was not the labeled terrorist his brother was. I believe my professor is teaching it this way as that was the original purpose of the project and he is friends with Wafaa himself.Where I do believe this book has great potential value is in a psychology setting. Wafaa describes his struggles with living in a war torn Iraq very well. I see his project as his way of dealing with PTSD as it gets pretty brutal at times, his project and his life before. And in that I do believe this book has great value, but for the purpose of my course, in my opinion the professor focused on the wrong aspects to try and make it seem like the US government is bad instead of looking at the more useful aspects of the book.

Met the author. Nice guy. Likes the book. Don't agree with some of his business practices especially those with veterans.

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